Tag Archives: pagan blog post

I is for Runes

Isa

Isa is the rune of Ice and cold. Ice, perfectly frozen with very very air bubbles can look like precious stones, so much so that people once believed that clear quartz was in fact a kind of ice that could not be melted.
Ice, the power of cold, to freeze things and lock them into a state where they are well preserved for as long as they stay frozen. That is part of the power of Isa. Whether it is to cool a situation down or you want to put someone “on ice” Isa is the rune to turn to. While heat is a very popular and widely used tool, from “hot footing” to melting wax dolls in order to soften someone’s heart, or even in the form of candle burning (which bring heat and light to the spiritual and magical work) cold can play a useful role, one that is often overlooked. As soon as methods of cooling things became available with items like iceboxes and then later freezer and refrigerators, people started using them to work cooling freezing magic.
Another useful parallel is language found in African diaspora groups of spirits that are “hot” and “cool” The cool spirits are often the main ones that people have allegiance to, like the Orishas, although they can turn hot when needed (or offended) but often the desire is to cool them down and to keep your spiritual essence cool. The practice of rogacion is about cooling the head and the spirit of the head to help bring clarity, insight and wisdom. A cool intellect often literally sees things much better then a raging hot head, something that is actually scientifically true.

Inguz
Inguz/Ing/Yngvi is name that Sweden and seems to be a later addition to the Futhorc. The Anglo-Saxon rune poem refers it to the the leader of Ynglings, but it also seems connected to Freyr, usually in the form Ingvifreyr, which suggests that while Freyr was his title, Ingvi may actually be his real name. But the truth of that is lost to time. However connection to the god Freyr remains, and this rune seems to resonate with some of the powers of Freyr, the shining brother of Freya. He is the lord of seasons, and by some he is the compared to the Horned God of Wicca, believing that the rituals of which Wicca was seeking to revive was the older rituals of Vanir, the tribe and gods who predated the arrival of the Aesir and the establishment of Asgard. So, like the Horned God, he is through to rise anew each year, only to be sacrificed again with each harvest, that his sacrifice may give renewal to the ground in gratitude for the gifts of food that it has given. The Vanir might have even been the Gaelic people who inhabited Europe for a much longer time until the arrival of the nomadic and conquering Aesir.
The magic and mystery of Inguz is the masculine birth/death/rebirth cycle expressed by seasons. It is the masculine complement to the Beorc. It’s various shapes always remind me of a seed, which one might compare to the seed of sperm, the tiny activator that starts the process of pregnancy once it reaches and fertilizes the egg, but in doing so, it is gone, as the egg begins a new process, catalyzed by the sperm to start cell division and create a new life.
To some ancient cultures that saw this present in nature as well. Noticing that areas of land struck by lightning would produce more abundant crops (as the lightning would fix the nitrogen in the soil) they equated lightning with fertilizing force of the gods. The same with rain as well, as it brings growth to plants and food crops, which without it, they would lay fallow in the ground until sufficient water is brought to help the plants to grow.
A similar metaphor can be found internally. Sometime the formative idea or concept is there, working on itself until a catalyst, the lightning flash of insight, inseminates it and it starts to grow and form itself into the new work that you are creating.

Ior
Ior is the rune of the World Serpent, that beast born of Loki and Angrboda, a giantess who gave Loki three children, one of which was the Midgard Serpent, Jormungandr. As it is one of the much later Anglo-Saxon runes, and it’s rune poem is odd, describing a river fish that lives in both land and water. To older cultures, they readily identified anything that lived in water as being a fish, whether it is actually a fish or not by today’s scientific classification. The “river fish” that they indentified may have been an otter or a beaver, or some other kind of amphibious mammal that lives in and surrounded by water.
Part of the mystery of Ior is the dual natured, or polymorphous nature of this river fish. Something that inhabits both land and water, but is not tied to both. Some have seen this as a fitting description for Jormungandr, the world serpent, as it was born on land, and lives in the sea, mainly because it is so huge that is the only place with room for it. But the coils of Jormungandr are seem to identify what is within Midgard and what is outside of it, the serpentine “hedge” of in-lying and out-lying on a cosmic scale. Being able to cross those boundaries is usually part of the tool kit of the spiritual practitioner, being able to leave the physical world behind and enter in the other worlds, but also being able to think outside the limits of place, time and culture to see things differently and recognize beneficial change but also harmful change. Working with Ior can cause you to experience that boundary, and being able to cross it, but also to affirm it, and somehow to become it. Making yourself polymorphous and no longer locked into one state of being, thinking or doing. No longer a person who is something or is not something, but simple a person.

G is for Geomancy

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Geomancy is the word which I use to refer to a method of divination. It was a method that seems to have originated from Arabic lands, where it goes by the name khat al raml and many others. From this name it was translated into Greek as Geomancy meaning “earth divination” It reached it’s heyday in Europe during the middle ages and the renaissance, and like many other occult arts, dwindled with the flowering of the Age of Reason. During it’s hey day, it was widely practiced and a number of authors wrote treatises about it, even more so then most other methods of divination. It was mainly very easy to use, unlike astrology which required complex calculations and instruments to view the sky, or other methods of sortilege, like card reading, which means you needed to have cards on hand (which not everyone did). At it’s simplest all you needed was some kind of blank field that you could use to make dots which could be used to count and create the figures that build a geomantic reading.

There are sixteen figures used in geomancy. During the middle ages and Renaissance in Europe, these figures were identified with astrological forces, with each classical planet being given two figures, and two more figures attributed to the North and South nodes of the Moon. Each of the figures are composed for 4 lines, which will have either one or two marks. One mark is an indication of active energy in that line and the presence of that force. Two marks are the indication of passive energy of that line, and the absence of inactivity of that force. From top to bottom the lines are named Head, neck, body, feet. They are also identified with the four classical elements from top to bottom of Fire, air, water, earth. These lines and their elemental values, combined with the planetary symbolism, help to give depth to a reading, but also in understanding the symbolism of each sign and it’s interaction with the world and with other signs.

The two methods of using the figures were in generating charts. The oldest and most traditional method is known as a shield chart, which requires one to generate 4 figures, however you wish to do that. These four figures are identified as “mothers” and from them the rest of the figures of the chart are created, about 11 or 12 figures, depending upon the inclusion or exclusion of a final figure. From the mothers one generates 4 daughters and from the mothers and daughters are generated the Nieces, which are then used to generate two witnesses, which are combined to form the Judge. The Judge is considered the answer to the question, sometimes with an additional figure formed by combining the judge and first mother to form the Reconciler, which makes a total of 16 figures used in the chart. Additional methods of shield chart interpretation help to give more precise and particular answers through the relationship of the judge to other elements in the chart.

From the shield chart, a second chart can be generated, known as the house chart. This chart is based upon the 12 house system of astrology, where each sign is placed into a house. The most basic ordering is taking the 1st mother which is given to the first house, 2nd mother to the second house, 3rd mother to the third house etc… There are other methods of assigning figures, depending upon whose treatise you read, or your own insight from gaining proficiency and skill with it. From the house chart it is also possible to answer questions, which can further influence the indications given in the shield chart and also given more depth and precision to a reading.

I came into geomancy a few years ago when I discovered a newly published book by John Michael Greer. It talked about Earth magic and divination, and as I was very much feeling the earth magic vibe, I was very intrigued by the book title. That introduced me to this method and I quickly took to practicing it and using it as often as I could, in order to become proficient with casting charts and understanding the signs. I also was very taken to how simple the signs were, which can be easily used in making talismans for magic, calling upon the forces symbolized by the geomantic signs.

There does seem to be a rebirth for geomancy occurring right now. While this practice did disappear in the West (although it did survive in some interesting ways and get small revivals during other blossoming of interest in the occult) there are a good number of sources available. Quite a few books have been written, as well as academic research into it as a item of historical interest. It also seems that in Arabic countries, the practice of geomancy has never fulled disappeared. It also bears some resemblance to I Ching, but also methods if Ifa divination. Whether they are related, or only bear passing resemblance is not fully decided or clear yet to researchers. There are some geomancy groups in existence right now, which can be found in Yahoo and also on facebook, where people can share techniques, and get assistance with their interpretations of charts they have cast. Another great resource and modern intrepid explorer is Polyphanes over at Digital Ambler. His work with geomancy is quite fantastic and he does contemplate it in order to advance this once forgotten divinatory art.

G is for Ganesha

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One of my favorite deities of the Hindu panoply of gods is Ganesha. He is fantastic. I forget when I was first introduced to him, but I have always felt a certain fondness for him, and enjoyed learning about him; the myths, the mantras, the devotions, the festivals.

The popularity of Ganesha extends throughout many of the religions that originated in India. Hindus, Buddhists, Jainists, all seem to venerate Ganesha, and it seems quite a few people outside of that religion, who also are drawn to him.

His origin story is quite well published, and if you want to read it, well, Google it, but I will do a quick paraphrase here. He is the son of Parvati, the wife of Shiva, who was created to guard her while she took her bath. However, while Parvati was bath, Shiva returned and sent some of his followers to call upon Parvati. Ganesha denied them, and beat them soundly when they attempted to trespass. Finally Shiva came to see what the problem was, and not knowing the boy was his wife’s son, they fought. Shiva won, but before Parvati could stop the conflict, Shiva had used his destructive third eye upon the youth, destroying his head. In order to revive him, another head needed to be found, which was an elephant head, which became attached to the boy’s body and he was then revived. There are quite a number of different versions that fill in various details and explain various things, but that is the very short hand version of the story that I first heard.
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He is associated with having dominion over many things, but his main attribute is the Lord of Obstacles. While mostly often he is asked to remove obstacles, it is also said that he can place obstacles in the path of people who need it. One of his names reflects this power where he is identified as Vighneshvara, which literally translates as Lord of Obstacles (shvara – lord and Vighne being obstacles). There are other variations of this name, but the meaning is considerable consistent. The obstacles he governs are both physical and metaphysical and can be people, places, concepts, spiritual issues, illness and many other things. For this reason he is often called upon when beginning a new venture, to remove obstacles that may obstruct it, as well as when engaging in ritual, to remove obstacles that would impede the success of the ritual.

Another name and association is with knowledge, wisdom and learning. The concept I learned with that is his name Ekadanta which means “One Tusked” as he is often portrayed with only one complete tusk, the other one often broken off and being held in one of his hands. I have a small clay statue showing him holding this broken tusk, and it seems he was using it as a writing implement. The story that I learned is that it was Ganesha who first created writing, and started to write down what other gods said, that it might be preserved and remembered. As he was doing so, his writing implement broken, and there was nothign to replace it. So he broke off his tusk, and dipped it into the ink and continued writing. Because of his connection to knowledge, wisdom and learning, he is also sometimes known as Buddhi’s husband or Buddhipriya, buddhi being a sanskrit word for knowledge and wisdom which is a feminine word and priya meaning fond of, lover or husband.

Ganesha is also associated with a number of other concepts. It is said that the OM is his nature. The swastika is a very popular symbol and it is widely associated with Ganesha. Many statues from the subcontinent of Ganesha often have the swastika prominently displayed on Ganesha, or used in his depictions. He is also said to dwell in the muladhara chakra, as it said the “he holds, supports and guides the other chakras , and thereby governing the forces that propel the wheel of life”

The largest festival associated with Ganesha is Ganesha Chathurthi. This annual festival of 10 days happens in early autumn, typically at some time in August or September (because it is based upon a lunar calendar, the dates vary in the Gregorian calendar. You can google the date). Originally a small family orientated festival, it became a rallying point for Indian independence from the British, and for that reason is widely celebrated across the country, but especially so in specific states and in Ganesha specific temples. The beginning of the festival is marked by the arrival of Ganesha, usually as a large statue. At the end of hte festival, the statue (or statues) are then taken to nearby bodies of water (lakes, rivers etc…) and submerged. While this tradition continues, there has been some discourse over it, as the original statues were often made of clay and would just dissolve into mud, many modern statues started to be made from plaster of paris, which is filled with toxic chemicals, and then painted with toxic paints, which would then pollute the bodies of water. While I have read that some areas have returned to using clay and non toxic pigments, others have started using reusable statues also colored with non toxic paints and dyes, and so they retrieve the statue from the body of water after a few days.
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If you want to engage in devotion to Ganesha, a very simple way is through offering him incense and sweets. While he is often depicted with a bowl of traditional indian deserts, I have found he likes all maner of sweets and candies. Including incense (sandalwood is a good choice) is always good, as would including some kind of liquid, even water. The most commonly recited mantra to Ganesha is “Aum gam ganapati namah” Ganesha is very often identified with the color red, although white also is used, along with blue, and it seems orange and yellow are also popular (although usually used with different roles of Ganesha).

And now a little devotion for you